News

 

Penn Journal of Arts

Online on PJAS Digital Hub. August 2025.

This online show is a celebration of creativity and intellectual exploration. My piece Moment Before Snowfall was selected as part of its August issue.


Sacred Spaces

Sacred Spaces at 440 Gallery in Brooklyn. July 3 - August 1, 2025.

The show, curated by Ramona Candy, expands the notion of space—not just as location, but as presence—inviting us to consider how we inhabit the places that make us whole. Along with 24 other artists, I showcased Infinite Possibilities at the 440 gallery. My work is about celebrating experiences and moments that bring joy, each painting an expression of a sacred place where we can shed fear, stress and uncertainty. This work embodies a space where there is no judgement; only color and energy and community.


Hope Springs

Hope Springs at Arts Illiana in Indiana. May 2 - June 19th, 202

I was recently in the group show HOPE springs at Arts Illiana Gallery in Indiana, Curator: Hope Wible. Creative Director: Trevor Bridgewater. Each piece in the exhibition depicted the artist's personal view of renewal and strength. I'm both an optimist and a realist by nature, and I was happy to have my work included in this theme of hope flourishing despite everything.


Dreamscapes

Dreamscapes at Centerpoint Gallery in New York. June 1 - 24, 2024

Curated by Penny Carter, Dreamscapes presents works created between 2019 and 2023. Although this timeframe includes the lockdown period that resulted from the Covid-19 pandemic, Kraft’s motifs did not suffer from the isolation—if anything, her themes became even more relevant. In one way or another, each piece is a study of connection, belonging, and universal, timeless human experiences.


Wild Alchemy and the Global Grove

Canada. April - May, 2024.

I was thrilled to work with the amazing Broken Forests Group on a touring Canadian exhibition curated by Dermot Wilson: Wild Alchemy and the Global Grove; and honored to be one of 22 artists selected worldwide to create pieces inspired by artists’ relationships with the forests. These two pieces are directly related to the magical forests I’ve spent time in.